Some Thoughts From the Director About the Work
Rage. Rage is a protection mechanism. Every mammal has rage. It’s an emotion we feel when our boundaries are being transgressed and we need to protect ourselves. If we are able to express what needs to be expressed at the moment of transgression, the emotion processes and leaves the body. If not, the emotion stays stuck within us and finds other less desirable and more destructive avenues of expression. I think we need more spaces where we can safe-ly channel and release unexpressed rage. And maybe we’ll find the grief that lies beneath…or does focusing on rage create more rage? Rage. We live in a rage-inducing world because we have been taught to fear and mistrust our expressions. Whether they be expressions of curiosity, sensuality, anger, rage, grief, love—for various reasons we have learned to fear our expressions. And this leads to repression—instead of expression—of our emotions. And this repression leads to spiritual starvation. We (or should I say “I”?) crave connection. Connection comes through sharing—through showing—through expressing who we are. So what happens when we don’t express who we are? Rage. But who are we? We all have stories. Our stories carry meaning; they are impactful. I am a woman. I am white. I am sober. I am an artist. I am a survivor of sexual violence. I am a snake. But is this who I am? No…and yes. I am beyond these stories yet these stories shape my expe-rience. What am I without my stories? And why do I become attached to stories that disem-power me? I take the story to battle. What else is true? What about the stories that empower me? Rage. I am a student of Hip Hop and House dance culture. Hip Hop and House—like many practices coming out of the African diaspora—are tools for progressive transformation. Hip Hop emerged as a means to transform the rage of oppression into dance, music, painting, spoken word and expression. Hip Hop is about expressing oneself fully within the container of the community. The individual is nothing without the community. I am a student of this practice and philosophy…and I feel like a total loner most of the time. Subtle Rage. What you are about to witness is not one thing, it is many. A single moment with-in a process of transformation in which our stories of victimhood re-emerge as…something else.
Special Thanks
The VDA Dance Residency program has blessed me and my team with an incredible opportunity to create this work. My gratitude is beyond words. I want to give a huge shoutout to my team of sensational artists; each artist has brought their unique contributions to the table and the piece would be nothing without their collaborative effort. This piece originated as an en-semble of six performers, and tonight we will be sharing a trio version. I want to thank Alex Cobb, Katie Corkum, and Schivona Johnson who have been integral to this work but are not performing tonight.
This project is supported in part by the Vermont Arts Council, the Vermont Community Foundation, and New England Foundation for the Arts.
The Subtle Rage Crew
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Millie Heckler
ARTIST-IN-RESIDENCE
Choreographer, Director, Singer+Songwriter, Producer, PerformerMillie Heckler is an interdisciplinary artist who merges movement, voice and original music to tell stories of empowerment through sensuality. Her practice lies in unlocking voices of the body.
Through a practice of (re)opening embodied instruments—such as movement, vocalization, storytelling and imagination—she leans into self-remembrance: What am I capable of creating?
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Mary Carter
Performer
Mary Carter (she/her) is a dancer, singer-songwriter, and choreographer. She is most passionate about conjuring her authentic voice within her artistry and helping others do the same through the healing potential of movement, music/vocalization, and improvisation. maryesthercarter.com
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Alex Cobb
Performer
Alex is a dancer, improviser, conceptual performance artist, teaching artist, and community organizer. They have a unique path to performance that entwines a background in competitive athletics, studies of earth science, a passion for community organizing, and a fascination with alchemizing grief.
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Katie Corkum
Performer
Katie Corkum (she/her) is a Brooklyn-based dance artist whose purpose lies in evoking feeling and provoking change. Her work is in inhabiting her body and experiences and in creating work with relevance to this and the social issues that call her to move. She holds a BA in Dance from the University of Vermont and practices primarily contemporary dance forms and pole dance.
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Tina Forés-Hitt
Performer
Tina Forés-Hitt was brought up between Spain and the US. She studied contemporary dance in Holland (ArtEZ) and Austria (SEAD), has performed at the Salzburger Festspiele, done a world tour with the BODHI Project and won a GoldenCircleAward for best actress in a musical at the Dorset Playhouse.
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Schivona Johnson
Sound Engineer, DJ, Singer+Songwriter, Producer, Performer
Schivona Johnson, also known as Schi the God, is a versatile audio engineer, artist, and DJ based in Austin, Texas. She has headlined The Unleash Movement Festival and performed at renowned venues like Cheer Up Charlies and the Coconut Club. In the studio, Schi has collaborated with notable artists such as Just Blaze, Black Odyssey, and Royal Forest.
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PhaeMonae
Costume Designer
PhaeMonae has currently been practicing what defines black futurism, mixing hip-hop/club culture and fine art/high fashion cultures. The booming brainchild is street wear, meets bedroom chic, meets a sprinkle of magic couture. She wants to test the boundaries of what’s “wearable” and do it with “maximalism”. PhaeMonae believe themselves to be someone who everyday gets dressed with the intention of setting the tone for the day. “If I look good and feel good my day can start over at any moment”. It is a meditation and self-practice of gratitude and godliness. It’s a refresh and redress kind of vibe. Shape how the world sees you.
Sound Credits
All Is Forgiven by Millie Heckler, Performed by Katie Corkum
Get On Up by Schivona Johnson
Lay Me Down by Schivona Johnson and Millie Heckler
Soundscape by Schivona Johnson and Millie Heckler
You Know I by Millie Heckler
“Mask,” Spoken word by Schivona Johnson
Please Don’t Bury Me by John Prine, remixed, Performed by Everyone
Drink by Millie Heckler and Schivona Johnson
Eulogy by Katie Corkum with Disco Party Baby by Vampire Sex, mixed by Schivona Johnson
Mary Go Round by Schivona Johnson
The Slumber Boat by Alice C.D. Riley, Performed by Mary Esther Carter
Daddy by Millie Heckler with Earth2Start by Schwitzmeister Respect, mixed by Millie Heckler
Nio Far, pt. II by Julien Villa
Home by Millie Heckler
You Ever Feel Like A Snake? by Millie Heckler, Referencing The Goddess & The Snake by Melanie Amandine on YouTube
Drippy (Bow Music) by Schivona Johnson
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