Michael Bodel:
The Institute for Folding

VDA 2025 Artist in Residence

A cardboard choreography of human knowledge, neglect and wonder.

Created by Michael Bodel

Choreography and Performance by Michael Bodel, Cailin Morgan, and Hanna Satterlee

Original Score by Rodrigo MT

Thank you all for an amazing

2025 Artist in Residence Program

This year, our Artist in Residence program invited Vermonters to explore how knowledge itself is built, layered, and reshaped through The Institute for Folding, an interdisciplinary performance created by Michael Bodel. Through movement, language, live sound, and 30 sheets of cardboard, the work became a physical meditation on how our world accumulates information—what we stack, what we discard, and what we choose to keep close as “truth.”

For many watching, the piece acted as a cardboard mirror of our moment. We live in an era where facts are created, shared, and questioned at unprecedented speed. Some pieces of information enter our collective archive even when they’re wrong; others ring true but feel too uncomfortable to hold. The Institute for Folding revealed that the truths we use to build our future are not drawn from a distant, objective reality, but from the ideas, people, and “facts” we cling to most tightly.

Described by Bodel as “a dance for our precipitous moment,” the work examines society’s relationship with knowledge—our hunger for understanding, the rise and fall of ignorance, and our growing disconnection from what has already been discovered. It also speaks to something we’ve lost: the collective wonder that once fueled discovery, the same wonder that shone in the eyes of children and early civilizations.

Through months of workshops, work-in-progress showings, and a five-stop statewide tour, The Institute for Folding reached more than 800 people across Vermont, bringing locally produced professional dance to communities in every region. Audience members frequently shared how deeply the work resonated with the current climate of America—its uncertainty, its contradictions, and its longing for clarity.

This is exactly what the Artist in Residence program has worked to cultivate: bold new work, thoughtful inquiry, community connection, and paid opportunities for dance artists across our state.

As Vermont’s service organization for dance, VDA is proud to support artists and bring impactful, relevant work to communities statewide. We are deeply grateful to our sustaining members, donors, and partners whose commitment makes this program possible.

If you believe in the transformative power of dance, we invite you to donate or become a member—and help us continue creating meaningful opportunities for Vermont’s dance artists to thrive.

A photo of Michael standing in a field

Photo by Swoyer Photography

About Michael:

Michael makes interdisciplinary dance works. Many integrate objects, place and sensorial stuff. His process involves wide-ranging research and both serious and silly play. And collaborators vary from project to project. Michael’s past works have included dances choreographed to oral histories of immigration, a pageant set in an apple orchard, and a dance iteration of Foucault’s Corps Utopique. Prior to The Institute for Folding, he created a dance project centered on grain—how it is sown, gathered, cared, hoarded and lost. 

He is honored to sit (and move) on the board of advisors of The Field Center in Rockingham, VT, and has served on the board of the Society of Dance History Scholars (now Dance Studies Association). He fancies writing about historical pageantry and embodied cognition, and works daily as the Director of External Affairs at the Hopkins Center for the Arts at Dartmouth. Michael lives with his family in the fields of Putney, VT.

Collaborating Artists

Rodrigo MT

Hanna Satterlee

Caitlin Morgan

Devising Labs

This dance project has been developed in layers, and one of those is a series of free devising labs that were open to the public. Through these labs, participants workshoped cardboard as a choreographic inspiration and design partner, and contributed to the evolution of the performance. Special thanks to The Flynn, Hopkins Center for the Arts at Dartmouth, and Next Stage Arts Project for hosting these labs, and to 2025 Junction Dance Festival, for featuring a work-in-progress showing.

Photo credits: Institute for folding, Kay McCabe, 2025

Special thanks to our Partners who have helped make this residency possible!

Vermont Arts Council, The Byrne Foundation, Middlebury Dance Department, Next Stage Arts Project, Highland Center for the Arts, Mascoma Bank, Junction Dance Festival, LINES Vermont Dance Studio, The Flynn, The Dance and Movement Center, The Putney School, The Hopkins Center for the Arts at Dartmouth, and Junction Arts & Media!